Alec Baldwin Seeks to Avoid Liability in Fatal ‘Rust’ Shooting
In an arbitration demand against his fellow producers on the film, he denied culpability in the killing of a cinematographer and said he should not be held financially responsible.
By Graham Bowley and Julia Jacobs
March 11, 2022
Updated 11:57 a.m. ET
Alec Baldwin gave his most detailed account yet of fatally shooting a cinematographer on the set of the film “Rust” last year in an arbitration demand that his lawyers filed Friday against his fellow producers, claiming that his contract protected him from financial responsibility in her death and seeking coverage of his legal fees.
Mr. Baldwin has been named in several lawsuits seeking damages since he shot and killed the cinematographer, Halyna Hutchins, on Oct. 21 in New Mexico while practicing for a scene that required him to draw a gun. The filing said that he was not responsible for her death, since he had been assured that the gun did not contain any live ammunition and because he was not responsible for checking the ammunition or for firearm safety on the set.
The filing provided new details of Mr. Baldwin’s role as a producer of “Rust,” a production some former crew members claimed in lawsuits had sacrificed safety by cutting costs. While Mr. Baldwin was involved in creative matters, the filing said, others had authority over hiring and budgets. Mr. Baldwin was to be paid $250,000 to star in the movie and act as a producer, it said, but he gave back $100,000 as an “investment” in the film.
And the filing contained text messages that Mr. Baldwin had exchanged with Matthew Hutchins, the widower of the slain cinematographer, which showed how their relationship had deteriorated over time — from mutual expressions of condolence and support in the immediate aftermath of the shooting to the pointed wrongful-death lawsuit Mr. Hutchins filed against Mr. Baldwin this year.
It provided a vivid account of the fatal shooting on the New Mexico film set, which took place after lunch as Mr. Baldwin rehearsed a scene inside a church in which his character, Harland Rust, is cornered and draws his gun.
https://www.nytimes.com/2022/03/11/movi ... ation.html