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#2126

Post by bill_g »

The Kings of Leon present Mustang - a song about a boy and his daydreams of clouds. I think. Fresh off the presses, new this month. Be the first on your block. I like the twisted guitar licks. YMMV

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#2127

Post by John Thomas8 »

33+ 37+ years along, still putting out bangers:

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#2128

Post by Tiredretiredlawyer »

Bravo!
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#2129

Post by AndyinPA »

:clap:
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#2130

Post by Foggy »

🐓
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#2131

Post by bill_g »

That's such a great album. That song always hit me in the heart. I loved the story, the music, the arrangement. In particular - the drums - they were perfect. It was one of the first songs I recall with drums that offered more than just a tempo. They added drama and emphasis at critical points. I can't say for sure, but I'll bet it was The Wrecking Crew. They were in high demand back then. I've always wondered if it's a man or a woman singing the contralto towards the end.
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#2132

Post by keith »

bill_g wrote: Mon Apr 01, 2024 10:11 am That's such a great album. That song always hit me in the heart. I loved the story, the music, the arrangement. In particular - the drums - they were perfect. It was one of the first songs I recall with drums that offered more than just a tempo. They added drama and emphasis at critical points. I can't say for sure, but I'll bet it was The Wrecking Crew. They were in high demand back then. I've always wondered if it's a man or a woman singing the contralto towards the end.
wikipedia
The Wrecking Crew is a loose collective of US session musicians based in Los Angeles whose services were employed for a great number of studio recordings in the 1960s and 1970s, including hundreds of top 40 hits. The musicians were not publicly recognized in their era, but were viewed with reverence by industry insiders. They are now considered one of the most successful and prolific session recording units in music history.
Wikipedia

Bookends was recorded at Columbia's Studio B at the CBS Studio Building in Manhattan.

Image
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#2133

Post by bill_g »

Oh! Right on. Thank you Keith.
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#2134

Post by keith »

bill_g wrote: Tue Apr 02, 2024 9:36 am Oh! Right on. Thank you Keith.
I hadda lookit up cause it didnt fell right that S&G would have gone to LA to record. I knew the WC was LA.
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#2135

Post by John Thomas8 »

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#2136

Post by northland10 »

:lol:
101010 :towel:
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#2137

Post by John Thomas8 »

I laughed, too, but he seemed to nail the different styles pretty well.
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#2138

Post by northland10 »

Hans Zimmer made up musical instruments for the Dune score to make it sound outworldy. Somebody has taken twenty hands to do the same on a piano. It involves things from bowing the strings to using guitar picks and percussion brushes. They have gone a bit John Cage/George Crumb like.

101010 :towel:
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#2139

Post by bill_g »

He captured John Cage perfectly! His Stevie Wonder was more Herbie Hancock IMO. (wink)
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#2140

Post by Tiredretiredlawyer »

Loved it!
"Mickey Mouse and I grew up together." - Ruthie Tompson, Disney animation checker and scene planner and one of the first women to become a member of the International Photographers Union in 1952.
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#2141

Post by northland10 »

Chairs are musical instruments.
101010 :towel:
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#2142

Post by bill_g »

Mars to Liverpool by Squires and Gallagher. It's in heavy rotation on Portland radio. It has a 60's Beatles sound to it.

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#2143

Post by Tiredretiredlawyer »

I luvs Hans Zimmer's music!
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#2144

Post by northland10 »

Tiredretiredlawyer wrote: Thu Apr 04, 2024 11:15 am I luvs Hans Zimmer's music!
Some of his music can be a bit predictable, but I still love it.

I love the use of the watch and the Shepard tone in Dunkirk (and his head nod to Elgar's Nimrod near the end).

101010 :towel:
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#2145

Post by AndyinPA »

Interesting. Thanks.
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#2146

Post by Tiredretiredlawyer »

Coooooool!
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#2147

Post by derevan »

keith wrote: Tue Apr 02, 2024 4:06 am
bill_g wrote: Mon Apr 01, 2024 10:11 am That's such a great album. That song always hit me in the heart. I loved the story, the music, the arrangement. In particular - the drums - they were perfect. It was one of the first songs I recall with drums that offered more than just a tempo. They added drama and emphasis at critical points. I can't say for sure, but I'll bet it was The Wrecking Crew. They were in high demand back then. I've always wondered if it's a man or a woman singing the contralto towards the end.
wikipedia
The Wrecking Crew is a loose collective of US session musicians based in Los Angeles whose services were employed for a great number of studio recordings in the 1960s and 1970s, including hundreds of top 40 hits. The musicians were not publicly recognized in their era, but were viewed with reverence by industry insiders. They are now considered one of the most successful and prolific session recording units in music history.
Wikipedia

Bookends was recorded at Columbia's Studio B at the CBS Studio Building in Manhattan.

Image
Oddly enough, although the album was recorded in New York and the Wrecking Crew was LA-based studio musicians, the band on Bookends was mostly the Wrecking Crew. Hal Blaine was the drummer - definitely a member of the Wrecking Crew.
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#2148

Post by bill_g »

derevan wrote: Fri Apr 05, 2024 11:06 am Oddly enough, although the album was recorded in New York and the Wrecking Crew was LA-based studio musicians, the band on Bookends was mostly the Wrecking Crew. Hal Blaine was the drummer - definitely a member of the Wrecking Crew.
Thanks dereven!

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#2149

Post by keith »

derevan wrote: Fri Apr 05, 2024 11:06 am
Oddly enough, although the album was recorded in New York and the Wrecking Crew was LA-based studio musicians, the band on Bookends was mostly the Wrecking Crew. Hal Blaine was the drummer - definitely a member of the Wrecking Crew.
I'll be darned. Session musos flying across country for particular sessions? Or based on different coasts at different points in their careers? Or touring with somebody and happened to be available?

Anybody got a link to Andrew Hickey to ask?

Andrew Hickey: The History Of Rock And Roll in 500 Songs
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#2150

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